Day 2: All Modernism,
All the time.
I love modernist architecture and I really love Anton Gaudi
(refer back to the aforementioned 10th grade Spanish project), so my
second day in Barcelona was dedicated exclusively to these to subjects. And a little bit to getting lost, but that is
because the city named the metro stop I needed was named La Segrada and I
accidently got off at La Segrera. Anyway,
my metro error allowed me to walk passed Hospital de Sant Pau, designed by Lluís
Domènech i Montaner. Montaner, while
less famous than Gaudi, was really the originator of modernist style.
I finally walked passed some more Gaudi lampposts and found
myself standing in front of La Sagrada Familia.
Unfortunately, since I got off at the wrong metro stop, I was not their
right when it opened as originally planned, so I had to stand in a giant
line. It was worth it. The cathedral is amazing! So many colors and interesting things going
on. The columns were inspired by trees
and there are few straight lines anywhere.
The choir galleries along the sides are 50 ft high and hold
approximately 1000 singers. The highest
point inside is 148 ft. There is also a
museum giving the history of the church’s construction that shows off many
models made by Gaudi and other architects that worked on the project, which
should be completed in 2026.
After spending at least 2 hours at La Segrada, I walked down
the road to take a look at Casa Milà (1912) and its many chimneys and odd façade. They make you pay through the nose to tour
these buildings, I decided to only go inside Casa Batlló. However, I sort of wish I had paid for both
as the inside
of Casa Milà is also amazing.
Casa Batlló (1904) is located just a few blocks further down
the street and the outside is beautiful.
The outside is very colorful and was designed to look like St. George
killing a dragon (the dragon’s ribs are seen as the attic arches and the tail
finishes up at on the bottom floor stair case).
Some also think it looks like skulls and other bones on the front (in a
non creepy way) or Mardi Gras masks. Whatever
symbols there are, I would love to live there.
My last stop on Day 2 was Park Güell (1914). It was also designed by Gaudi and is the
location of the famous mosaic iguana that has come to represent Gaudi and the
city of Barcelona. The park has
structures that resemble birds’ nests, two small buildings to mark the
entrance, columns and sea-serpent shaped benches, and a great view of the
city.
On my way back to my hostel I tried to stop and see Casa
Vicens. It is a privately owned Gaudi
home, so you can only see the outside anyway.
Unfortunately, it was dark and there was not a lot of light around it so
I didn’t see that much. The home was for
sale in 2007 for 27 million euros. Looks
like I will have to change my career in order to actually live in a Guadi
creation with a fence of palm leaves.
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